This photographic sequence, created between 1994 and 1996, options 100 close-up portraits of the artist’s face, taken open air in Iceland over a number of visits. Every picture captures refined shifts in expression and the consequences of various climate situations, making a nuanced exploration of identification and the atmosphere. The portraits, seemingly equivalent at first look, reveal a mess of variations upon nearer inspection, prompting reflection on the interaction between inner states and exterior forces.
The work’s significance lies in its multifaceted method to portraiture, transferring past conventional illustration to discover the fluidity of identification. By capturing the artist’s face beneath altering atmospheric situations, the sequence suggests a dynamic relationship between self and environment. This blurring of boundaries challenges the notion of a set or steady self, presenting identification as one thing formed by and attentive to exterior elements. Positioned throughout the stark Icelandic panorama, the mission additionally resonates with themes of isolation, vulnerability, and the human connection to nature. The artist’s resolution to make use of her personal likeness reinforces the intimate and private nature of this exploration.
